De Australia también me ha encantado este single del año pasado. Aquí una filmina en directo
¡qué chulada! Me he ido a toda leche a comprarlo, pero está agotado.
Aquí lo compré yo y veo que les quedan copias 😉
http://erstetheke.de/index.php?main_page=product_info&cPath=2&products_id=2154
Me fui a su bandcamp y estaba agotado. ¡Gracias! Voy a por él
Me dicen de su sello holandés que a finales de mes sacan otras 2 tiradas, una blanca y otra en negro, a ver si de esa se ve en algún sitio a mejor precio (aunque el pre-order de la página son 20€)
16 de abril, fecha de salida de lo nuevo de Guadalupe Plata
Mañana 19 de febrero sale el nuevo singol de Corizonas "Nubes negras", adelanto del nuevo disco "Corizonas III"
No conocía a Michael Beach, pero su disco "Dream violence" me ha gustado.
Igual es porque es de por aquí, pero el hype que hay en Glasgow con esta moza no es moco de pavo. Ambient/neo-clásica. Para quien guste de estas mandangas (es decir, para almas sensibles y amantes del Eno más turrón -como yo).
https://kitrecs.bandcamp.com/album/nothing-new-under-the-sun
Incredible, incredible recording of minimal, drone and neo-classical compositions from one of Glasgow's most elusive and inspired musicians.
Time Binding Ensemble is an alter ego of Glasgow-based musician Kay Logan, a multi-disciplinary artist who has previously made music as Helena Celle, played in Glasgow groups Anxiety and Herbert Powell and composed music/sound design for computer games. Nothing New Under The Sun is her first official release under this new moniker and is quite simply one of the most beautiful, elegiac, transcendental recordings released in Glasgow in recent memory. A perfectly balanced double album of drift and drone, it possesses a majestic austerity that constantly feels like a dam holding back an indescribable depth of emotion, layers of phased sound comprised of synthetic brass and wind instruments that exist in near glacial stasis, interlocking with each other but apart.
Inspired by the decaying architecture of St. Peter’s Seminary, a massive Brutalist structure on the outskirts of Glasgow originally constructed to teach young students of Catholicism but now in perpetual decay, 'Nothing New Under the Sun' arrives in 24 parts of equal length, the collection cycling through each key of the musical scale before returning to its starting point, like a sundial etching sound from shadows cast throughout a day and night. The rigidity of the composition lends a perfect balance to the sound, the regularity of the tracks (24 tracks at 3:40) meaning that each piece feels like a slice of a continuum the listener dips into. There are shades of Ambient, Neo-Classical, Drone and other abstract musics, with the slow evolution within each piece happening on such a small gradual scale that by the end of the track you feel slightly changed, 24 times.
Nothing New Under The Sun is without doubt a deep listening experience, but one that can also be used as a tool. It’s a meditative experience, an effortless glide into different psychic planes illustrated by the keys the tracks are in. With the first track of the album in A Major (“A Major being as Schubert once professed "suitable for declarations of innocent love, ... hope of seeing one's beloved again when parting; youthful cheerfulness and trust in God”), each track runs up the scale alternating between Major and Minor scales on each key, meaning that by the end of the 24th track the listener feels like they have been through almost a full cycle of emotional existence. It’s easy for the mind to dissolve into a celestial contemplation listening to the Major pieces here before falling to earth, imagining an epic structural, material decay as the accompanying Minor piece follows. Perhaps it can be read as the eternal, cyclical nature of life and death, exaltation and degradation, an eternal Ouroboros spiralling.
The sounds used by Logan in these compositions are facsimiles of classical instrumentation (french horn, bassoon, clarinet, oboe, violin, viola, and cello) rendered digitally but with a patina of over-layed hiss. The effect is utterly hypnotic, resulting in an album that sucks the ear in so deep, the listener so immersed yet locked in a perpetual, gradual upward motion that by the end, Nychthemera in G# Minor feels ends with the beholder surely floating weightless on an even keel, yet somehow with a perception enriched by the experience of Nothing New Under The Sun.
Kay Logan’s work in its various guises has existed just to date just outside the margins but Time Binding Ensemble’s Nothing New Under The Sun announces her as a major talent and without a doubt one of the most restless, constantly inventive and gifted musicians operating in the UK. We can’t wait to hear what she does next.
Igual es porque es de por aquí, pero el hype que hay en Glasgow con esta moza no es moco de pavo. Ambient/neo-clásica. Para quien guste de estas mandangas (es decir, para almas sensibles y amantes del Eno más turrón -como yo).
https://kitrecs.bandcamp.com/album/nothing-new-under-the-sun
Incredible, incredible recording of minimal, drone and neo-classical compositions from one of Glasgow's most elusive and inspired musicians.
Time Binding Ensemble is an alter ego of Glasgow-based musician Kay Logan, a multi-disciplinary artist who has previously made music as Helena Celle, played in Glasgow groups Anxiety and Herbert Powell and composed music/sound design for computer games. Nothing New Under The Sun is her first official release under this new moniker and is quite simply one of the most beautiful, elegiac, transcendental recordings released in Glasgow in recent memory. A perfectly balanced double album of drift and drone, it possesses a majestic austerity that constantly feels like a dam holding back an indescribable depth of emotion, layers of phased sound comprised of synthetic brass and wind instruments that exist in near glacial stasis, interlocking with each other but apart.
Inspired by the decaying architecture of St. Peter’s Seminary, a massive Brutalist structure on the outskirts of Glasgow originally constructed to teach young students of Catholicism but now in perpetual decay, 'Nothing New Under the Sun' arrives in 24 parts of equal length, the collection cycling through each key of the musical scale before returning to its starting point, like a sundial etching sound from shadows cast throughout a day and night. The rigidity of the composition lends a perfect balance to the sound, the regularity of the tracks (24 tracks at 3:40) meaning that each piece feels like a slice of a continuum the listener dips into. There are shades of Ambient, Neo-Classical, Drone and other abstract musics, with the slow evolution within each piece happening on such a small gradual scale that by the end of the track you feel slightly changed, 24 times.
Nothing New Under The Sun is without doubt a deep listening experience, but one that can also be used as a tool. It’s a meditative experience, an effortless glide into different psychic planes illustrated by the keys the tracks are in. With the first track of the album in A Major (“A Major being as Schubert once professed "suitable for declarations of innocent love, ... hope of seeing one's beloved again when parting; youthful cheerfulness and trust in God”), each track runs up the scale alternating between Major and Minor scales on each key, meaning that by the end of the 24th track the listener feels like they have been through almost a full cycle of emotional existence. It’s easy for the mind to dissolve into a celestial contemplation listening to the Major pieces here before falling to earth, imagining an epic structural, material decay as the accompanying Minor piece follows. Perhaps it can be read as the eternal, cyclical nature of life and death, exaltation and degradation, an eternal Ouroboros spiralling.
The sounds used by Logan in these compositions are facsimiles of classical instrumentation (french horn, bassoon, clarinet, oboe, violin, viola, and cello) rendered digitally but with a patina of over-layed hiss. The effect is utterly hypnotic, resulting in an album that sucks the ear in so deep, the listener so immersed yet locked in a perpetual, gradual upward motion that by the end, Nychthemera in G# Minor feels ends with the beholder surely floating weightless on an even keel, yet somehow with a perception enriched by the experience of Nothing New Under The Sun.
Kay Logan’s work in its various guises has existed just to date just outside the margins but Time Binding Ensemble’s Nothing New Under The Sun announces her as a major talent and without a doubt one of the most restless, constantly inventive and gifted musicians operating in the UK. We can’t wait to hear what she does next.
¿Y cuándo empieza la música?
Creo que al final de la cara B entran los Ramones con Pinhead.
Gabba Gabba Hey!
Creo que al final de la cara B entran los Ramones con Pinhead.
Gabba Gabba Hey!
Ahver. Que simpatizo bastante con sus filias y generalmente suelen coincidir con las mías pero en este caso me he quedado picueto. Me puse el YouTube y pensé que el principio era una intro y cuando me di cuenta ya había acabado la canción y seguía en modo intro. Y todo eso a primera hora de la mañana!
Creo que al final de la cara B entran los Ramones con Pinhead.
Gabba Gabba Hey!
Ahver. Que simpatizo bastante con sus filias y generalmente suelen coincidir con las mías pero en este caso me he quedado picueto. Me puse el YouTube y pensé que el principio era una intro y cuando me di cuenta ya había acabado la canción y seguía en modo intro. Y todo eso a primera hora de la mañana!
Ya hombre! Si no todo en la vida va a ser punto de encuentro, que si no muy mal andaríamos! Yo por eso avisaba, que esto es para fanses del Eno más turrón. Creo que es una etiqueta más o menos acertada...
A mí me ha gustado, pero tampoco es algo que me pincharía a diario ni en cualquier circunstancia. Aunque, quizás por el factor Glaswegian, sí me he hecho con una copia.
Por obra y gracia de nuestro sello patrio Bang! (en toda la cara) ya están disponibles el disco póstumo de Brian Henry Hooper "i won´t bend for you" y el "In a ripped dress" de las Chicas de Knoxville, y en el horno están el primero de Asteroid B-612 (Ford cheetos el not meant for this world suena muy bajo, por no decir como el culo) y de los Celibate Rifles el "sideroxylon".
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Pues llevaba bastante tiempo esperando esto, desde que escuché hace ya varios años la demo y comentaron que sacarían un álbum. De momento de fenómenos, habrá que hacerse con él.
https://bodymaintenance.bandcamp.com/album/body-maintenance
Desde Australia y con gente de Cosntant Mongrel o NUN... pero poco tiene que ver con esto. Me mola mucho esa mezcla lúgubre y callejera a la vez.
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